![]() The PRO 40 offers eight analog inputs and 10 analog outputs. The Saffire PRO 40 packs a good amount of I/O and connectivity into a single-rackspace unit, while also offering plenty of opportunity for expansion. Having two buses to handle data has always been handy, and now, using a FireWire-to-Thunderbolt adapter, the Saffire drivers can interface with a FireWire-free PC. However, sharing the USB bus between hard drives and interfaces can lead to unnecessary bottlenecking. This has left many engineers turning to USB 3 interfaces. While Apple computers continue to provide FireWire ports, others have phased them out, choosing Thunderbolt as an alternative. Each is designed to connect via FireWire 400, and they are among the first multichannel interfaces to provide Thunderbolt connectivity. The new Saffire line includes the Saffire PRO 40, PRO 26 and PRO 24. On top of that, their innovation doesn’t stop at sound quality, but has embraced connectivity and flexibility in the digital domain. In recent years, however, Focusrite has blurred that line and delivered great sound at modest prices, pleasing engineers at all levels. Some pros were disappointed when the company started playing to project studios, feeling that their early offerings in that market fell short of the sound quality associated with the Focusrite name. Then just watch everything else you can find on MC and it'll all start making sense soon enough.Early on, Focusrite earned the respect of audio pros with the release of serious, professional mic preamps, consoles and rackmounted channel strips. I'd say first go through the Sweetwater playlist on the MC. That leaves you to control the monitor mixing entirely from Mix Control. However, when I finally took the time to learn everything I could and really understand how it works, it was well worth the effort.Īlso important is to disable input monitoring/echo in Garageband so it doesn't duplicate the stuff you are recording to its output, only the parts being played back. I just found something I could work with, and left it there for a while. I went through a stage of not really knowing how to set up Mix Control with my Liquid 56, DAW and other hardware. Then you can have different mixes for your monitors and your headphones and even have effects sends or inserts routed to external hardware. Learn how to use Mix control properly and you can mix any of your analog inputs with the outputs from your DAW and route that mix to any outputs. I don't know GarageBand at all, but it's mostly down to how you set up Mix Control, which allows multiple, different mixes to be assigned to different outputs on your Pro40. Send them an email, and they WILL answer your question. If none of this is helpful - then contact Focusrite's Support Online - they are EXCELLENT. Also, the Pro40 has 2 headphone outputs with their own separate volume and mute controls. That really shouldn't matter for Garageband or any DAW. The XLR outputs on the Pro40 should work for your monitors, or just the normal outputs. On the Pro40, you'll have to press the "instrument" button for the channel that the Torpedo is plugged into. My experience with Garageband has always been with just one channel when recording. Whatever is going into the Torpedo, be it your amp or the simulations, needs to be connected to one of the 8 Pro40 inputs. ![]() So if I wanted to use an outboard Torpedo coming into my Pro40 I would connect it with some regular unbalanced TR instrument cables. The difference is that the ElevenRack is also an Interface. ![]() I have an ElevenRack, which seems similar to what the Torpedo is: an amp simulator. So you really do not need to even have Mix Control as part of your situation (for Garageband). I'm no engineer, but.the purpose of the Focusrite Mix Control software is for when you are recording vocals or something - and it allows you to monitor without any latency. I think that GarageBand is really not meant to be doing this sort of thing, as it is one of those programs where the I/O stuff is pretty much your interface. To answer your question: How does one set up a FS for GarageBand so that both my FS MixControl directs signal from my TL to my GB DAW and also feeds signal from GB through my studio monitors or headphones? Now to do what you're talking about, particularly with the SPIDF stuff and Mix Control (the software that comes with the Pro40) can get pretty confusing! So anything that you want showing up in your DAW has to go through the Pro40. I use Garageband for demo drums, but ProTools for everything else.
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